Public Sculpture
With Felipe’s article still around amongst a pile of other useless paper work I need to think this through.
“Animal or human figure approaching or exceeding life size, carved or modelled, in the round.”
Sculpture is less specific with little limitations of subject, stype (new word, meaning; subject style and type), size or technique and even includes relief.
Monument is just an aide to remember the past and includes almost any object.
Portrait – in conjunction with one or more of the above becomes more accurate in many cases.
So a Henry Moore is a sculpture. Eros in Piccadilly is a statue not a portrait. Rodin’s Balzac is a statue, portrait and monument. All are sculpture and all are Art.
So where does Political statement come in?
Victory on the Brandenburg Gates/ Peace in her quadriga Hyde Park Corner
So where does statement of an idea come in?
Eros, Shaftesbury Memorial Piccadilly Circus
So where does ornament fit in? And the practical ones above?
Perhaps' also in Piccadilly Circus, those horses by Rudy Weller picture at the top.
So where does Art for Art’s sake come in?
And does it have to have some sort of message?
Can we get away with?
‘I like this, I hope you do too’.
Something like the Chapman Brothers might do for us! No? Then it is a question of taste?
Labels: Art History, Artists, sculptor, Sculpture
2 Comments:
So -- how did you feel about the Horses of Helios?
And ... do you know anything more about Weller?
A welcome surprise for a 21c work I suppose. It's well executed, impossible to see in the round or at a distance because of its location. I know nothing of Weller except what is on the internet, but as you know I am very ignorant of contemporary sculptors world wide so that means nothing. If I manage to get a better angled photo without being run-down by a London bus I will next time I am in London. The problem is that there are usually lots of people in front of it too.
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